π = 3.14

“Feynman point” was erroneously pin pointed and identified for one simple reason: the consecutive series of number 9 despite of the sequence’s intrinsic meaning. Professor Feynman was also tented by the six nines without ever realizing of the implied revelation carried by the sequence.

Let’s see the sequence first:

99999837 This is the real composition of decimals according to my 8-digits series distribution. There’re 5 numbers with the value of 9 an 8, a 3 and a 7. where,

8 + 3 + 7 = 18 or [1 + 8] = 9 (this is the sixth nine and it’s an implied number).

‘Implied numbers’ carry a meaningful message that is always interpreted in the context of the calculation that they originate from. the 8 means the number of dimensions resulting from 7 harmonics and the 3 means the 3 axes of reference (Ground State).

The meaning of number 9 will be explained with more details in my next post titled: “Euler-Pi Wheel”. For now let’s just say that it represents a transition point in space between 2 forms or manifestations of energy.

“Feynman Point” is located exactly at the sequence number 96, as I mentioned in other contexts, this point is an “Omen” in itself since its order (96) means what it is: number 9 repeating itself 6 times. “nine, nine, nine, nine, nine & nine!”

So far, things appear more or less normal and these results I’m showing to you above  although meaningful to me, may not be so for most of you, so I decided to impress you what my best shot…here it comes!

I’ll show you and this is absolutely not the product of MAGIC but a simple calculation using nothing but numerology and a little bit of imagination that there is a “magic link” between Feynman Point and mine (you’ll learn all about the “Magic Point” in a second).

Let’s take the five nines I said are the ones that belong to the sequence separating the other three numbers (8, 3 and 7).

99999 837

9 x 5 = 45 and 8 + 3 + 7 = 18 then 45 – 18 = 27     This is the magic!

there are 77 nines from the first sequence up to Feynman last sequence without counting those five above. 77 x 9 = 693 That is the Fine Structure at the note MI in my Wheel.

MI is between 582-693-714 and also between 714-693-582 is note SOL and the difference is the direction of the progression of the harmonic scale referred in my model to an increasing potential energy for MI and a decreasing of the same energy to SOL.

The other name that shares the title of this paper is the product of my own discovery and it’s elucidation was less of an optical realization (as in the case of the former point) and more like a conscious (programmed) search while knowing ‘a priori’ that an interesting sequence had to be waiting for me there.

The order was simple to guess… sequence order 27th.

Why 27? The answer to that question will be found all over the theoretical context of my THEORY based on what I called “The Euler-Pi Wheel Model”.

Let’s see the sequence of 8-digits first:

61284756 allow me to rearrange it a little bit… 6 128475 6

The two numbers 6 are the “ESCORT” of the magic numbers and they represent the numbers you’ll find in trios SIX TIMES at each side of the Euler-Pi Wheel.

The sum of those numbers represent the SOLUTION to the Pi PARADOX and the representation of the Euler number in numerology (2.7).

let’s see it:

1 + 2 + 8 + 4 + 7 + 5 = 27 !

The following is the “MAGIC FRACTION” as I named it from the original calculation of Pi by ancient Egyptians 22/7. Let’s calculate it value:

3.142 857     …a coincidence?

Let’s see the original Ancient Solfeggio notes:

UT > 396 Hz, RE > 417 Hz,  MI > 528 Hz,  FA > 639,  SOL > 741 Hz, LA > 852 Hz

UT corresponded to the “Ground State” or reference axis (horizontal) 036 see my model, while FA with the vertical axis. those values 3, 6 and 9 are representing the alpha constant or Fine Structure Constant observed between colors of the Hydrogen spectra.

The rest of the digits are: 4, 1 , 7, 5, 2 and 8 which after being summed up equals 27.

The ORDER of my “MAGIC POINT” is the 28th. It’s between sequence 66593344 with a value in numerology equal to 40 and the sequence 48233786 with the number of 41.

40 + 41 = 81 which is the same to say 8 + 1 = 9 …another OMEN?

The meaning of the order 28th was pretty obvious to me: The solution proposed in my theory to the Pi paradox included the STRING as the only possible solution within the confinement of a point in 3-dimensional space (a volume depending on an irrational constant Pi, V=4π.r3/3).

The solution called for twice the Euler constant (numerology representation of it) where,

2.7 x 2 = 4.14 then the compatibility between both constant became possible leaving one integer at the left side of the decimal point which meant an extra angle of projection of the string (120° degrees) and the creation of two new spatial dimensions and the sharing of one already included in the original model.

[This is then the meaning of the one obtained by ORDER 28th. 2 + 8 = 10 = 1. (see the PROOF in my newest article titled “LIGHT 3-9-6”]

ONE LAST IMPORTANT CLUE:

Starting the count from the first sequence 15926535 known based on previous calculation

to be 9 to the sequence preceding the “Magic Point”or 66593344 the total number of digits is 8 x 27 = 216 which also equals to 2 + 1 + 6 = 9

The actual number 9 is contained 25 times in those 27 sequences preceding the “magic Point” so let’s multiply 9 x 25 = 225

I’ll subtract 216 (the total number of digits present from the first sequence to the one preceding the Magic Point) from 225 (the number number 9 is physically found 25 times from the first sequence to the one preceding the Magic Point:

Now let’s subtract 225 – 216 = 9 …another coincidence?

I took the liberty of assigning a color to every “0” and “9” present between sequence number one up to the 27th sequence. (those are the 8-digits sequences that appear after 3.14 (the root) up to my “Magic Number”. [check it out in the π list shown below].

πππππππππ

137 …π or e -“I’d say BOTH!”

What is so appealing about π that could bring so many people to the edge of infatuation?

I’ve been (personally) intrigued with the meaning of 137 for a while now and I never forgot the day I read Richard Feynman’s take on that mystery, this is what he said:

“…It has been a mystery ever since it was discovered more than fifty years ago, and all good theoretical physicists put this number up on their wall and worry about it…Immediately you would like to know where this number for a coupling comes from: is it related to π or perhaps to the base of natural logarithms...” (Euler constant) “…Nobody knows. It is one of the greatest damn mysteries of physics: a magic number that comes to us with no understanding by man. You might say the “the hand of God” wrote that number, and “we don’t know how he pushed his pencil.”

If you read my work, you’ll see the symbiosis born among those two mathematical constants in one simple, harmonious and intuitive model under the name Euler-Pi Wheel. This mutual dependency of π and e constitute an unprecedented  and necessary communion between space and the most perfect choice ever among infinite ones, allowing energy to guarantee its own existence and in the process, created matter and ultimately life.

I left the the BEST for LAST, no kidding! This is going to ask from you to increase the number of NEURONS active in your BRAIN because is TOUGH to understand…I’ll do my best:

Most of you may have heard or learned at some point in your life the meaning of a PARADOX. In any case, I decided to refresh your memory and repeated here again:

“A PARADOX is a statement or proposition that, despite sound (or apparently sound) reasoning from acceptable premises, leads to a conclusion that seems senseless, logically unacceptable, or self-contradictory.”

The main theme of my research and present work is focused precisely in a PARADOX seemingly impervious to most people except for a few aware of a concept discovered and developed by a man called Carl Gustav Jung. This man was a graduated psychiatrist and psychotherapist who also work with the fields of philosophy, anthropology, archaeology, literature and religious studies. I’ll come back to Dr. Jung’s work later just keep with me for a while longer, please!

Let’s make one step at a time:

I named it “The π PARADOX”. But it’s not exactly so… It’s a PARADOX in broader terms but it’s also what I call a “REVERSE PARADOX” or an “INVERTED PARADOX.”

What’s a REVERSED PARADOX, you would ask. Let’s rewrite the original concept in its own image (like an image looking at at a MIRROR and seeing its own reflection projected backward), are we clear so far? I hope so!

A REVERSED or INVERTED PARADOX is a statement or proposition that, despite sound (or apparently sound) FALLACIOUS from acceptable premises, leads to a conclusion that seems sound, logically acceptable, or self-explanatory.”

A perfect physical example of this is the concept behind MATTER and ANTIMATTER.

You don’t see ANTIMATTER that often around you, in fact recent estimates suggest that to artificially produce 10 milligrams of positrons (that’s 1/100th of a gram or one 10th the size of your daily vitamin C tablet) the cost could be around 250 million (US currency).

If you decided to finance as much ANTI-ELECTRONS (POSITRONS) to fit in just one vitamin tablet then you’ll need to come up with 25 billion (with a “B”) dollars.

ANTIMATTER is a rare phenomenon only observed in isolated natural processes (matter radiation decay and cosmic rays) or inside ‘Particle Accelerators’. My point? It’s a real manifestation of a physical structure of energy-space that contradicts the universal laws that govern over everything in our visible universe (HANDEDNESS see the “Right Hand Rule”.) From the smallest known subatomic particle to the biggest galaxy this rule is always present.

My WORK or THEORY throughout the entire context points toward two main themes:

1-The Concept that ZERO and NINE (0-9) are just part of the same ROOT. It means that both are related to each other as one being the opposite or complimentary manifestation of the transition of the same energy that both represent.

2-That ENERGY “interprets” the configuration of SPACE in a entirely different ‘optic’, and this is where the concept of “REVERSE or INVERTED PARADOX” turns into a REALITY, just as the previous example of MATTER and ANTIMATTER.

If you “jump to” the next article titled “Euler-Pi Wheel” published right here in my site (symbiosissite dot wordpress dot com front slash all together) you’ll notes that the design of the Wheel begins with a value of 036 at the horizontal axis and finds another value 936 90° later by the vertical axis. The relationship I just mentioned to you in point (1) becomes self-explanatory. I know! the note FA is not officially the same of UT (DO) -another  “INVERTED PARADOX” but it’s true. It’s not applicable from the point of view of harmonics but it’s true from the point of view of NET VALUE. Translating what I just said into plain English it means that the POTENTIAL energy represented at 936 is the same as the one represented at 036 only transformed into an entirely different essence or physical manifestation. If I calculate the particular values at those mentioned axes we get:

036 = 0 + 3 + 6 =9 and 9 + 3 + 6 = 9 + 9 = 18 and 1 + 8 = 9 so 936-036= 9 – 9 = 0

That seems pretty simple but we’re forgetting something:

The corresponding values for axes 036 and 936 represented by the ancient Solfeggio notes in the Wheel are indeed different. at UT  or 036 the values are twice 147 Hz while at FA or 936 the values are twice 825 Hz.

Calculating: 147 = 1 + 4 + 7 = 12 and 8 + 2 + 5 = 15 where 12 + 15 = 27 and 15 – 12 = 6.

The meaning of 27 has been explained in great detail in the context of my theory however the number 6 that appeared in both cases before in this paper, one in the sequence order of Feynman Point 96 and in my “Magic Point” twice 6 128 475 6.

“THE HEXAGRAM”

(Although the design of the color distribution is obviously wrong according to Goethe’s Theory of Colors, I liked it so I decided to show it here in my site).

There are six points in the HEXAGRAM and there are six instance where the numbers 147 and 258 are shown in a progressive pattern from axis value 036 to axis value 936.

The SECRET of the ENERGY of this geometrical figure is precisely this, in other words the HEXAGRAM represents the SOLUTION Energy found to the “REVERSED or INVERTED Pi PARADOX”

Let’s return to the subject I brought to you a while ago about of the the most intriguing and impressive theory proposed by Dr. Carl Jung; SYNCHRONICITY…

πππππππππ

“The rule is, jam to-morrow and jam yesterday-but never jam to-day.” “It MUST come sometimes to ‘jam to-day.'” Alice objected. “No, it can’t” said the Queen. “It’s jam every OTHER day: to-day isn’t any OTHER day, you know.” “I don’t understand you,” said Alice. “It’s dreadfully confusing!” “That’s the effect of living backwards,” the Queen said kindly: “it always makes one a little giddy at first-” “Living backwards!” Alice repeated in great astonishment. “I never heard of such thing!” “-but there’s one great advantage in it, that one’s memory works both ways.” “I’m sure MINE only works one way,” Alice remarked. “I can’t remember things before they happen.”

“It’s a poor sort of memory that only works backwards,” the Queen remarked.

πππππππππ

SYNCHRONICITY is as real as light exists around us. The study was done by Dr. Jung in closed cooperation with theoretical physicist and Nobel Prize laureate Wolfgang Pauli, who at one point in his life seek Dr. Jung’s help due to a nervous breakdown Pauli suffered as a consequence of a divorce. It was the end of 1930 when they began to dig in the concept of archetype of dreams experienced by Pauli on that time. The cooperation didn’t last long enough but its fruit was the publication of a book about a new theory with a rather intricate epistemology difficult to comprehend and definitely impossible to prove… Until now, I hope!

The argument supporting my previous statement concerning the obstacles to explain and observe the very CORE at SYNCHRONICITY’s universal essence lies in what’s still evaded a legitimate interpretation of our physical Reality: the Nature of GRAVITY.

It may sound ALIEN to you but I can explain it:

Allow me post a quote I regard as one of my favorites:

“In addition, everything that becomes or changes must do so owing to some cause; for nothing can come to be without a cause. – Plato in Timaeus.

The modern version of the idea has been coined the Principle of Universal Causation (PUC) or the Law of Universal Causation.

‘An epistemological axiom is a self-evident truth. Thus the “axiom of Causality” (quoting from Wikipedia) implicitly claims to be universal rule that is so obvious that it does not need to be proved to be accepted. Even among epistemologists, the existence of such a rule is controversial.’ (end of quote).

In my own opinion the seed of the controversy can be found in all of the ‘causality sources’ proposed as a premise except for one: VARIATION, and I quote:

VARIATION: Another application of the Axiom is that all change in the universe is a result of the continual application of physical laws. (end quote).

GRAVITY is at the CORE of probability and goes beyond the concept of space and time as Jung imagined. For him, SYNCHRONICITY was a meaningful coincidence that occurred in time and it generated a sort of psychic factor as a result. Did you know that before WWI, Carl Jung met with Einstein and shared these concepts and ideas with him? Guess where he draw the necessary inspiration from? The I Ching! NO KIDDING!

Do I have any proof that serves as evidence to what I’ve just said about GRAVITY being the one to blame for SYNCHRONICITY? Plenty of them! not just one!

I thought I list the connection of gravity with an observable physical phenomenon after I describe its nature and then we could discuss one by one:

Gravity is (in my theory) the result of the disruption and distortion of stable energy patterns (saved) within the confinement of a point in 3-dimensional space by the presence of planets (matter).  The fabric of space (in my opinion) is made of an invisible fabric of those patterns explained in the Euler-Pi Wheel Model for the conservation of energy in space following a dimensional structure based on 11 dimensions. I decided to call it “AETHER” although I’m aware of the “bad history” behind the concept, I see no reason to change it nor I see anything wrong with keeping it that way.

The moment matter breaks the symmetry of the energy patterns in space, kinetic energy is released and becomes the source of dynamic energy for the mass of the planet to move and spin around the Sun (source of the energy inside the aether). The “leftover” is a imbalance in favor of the potential energy of the system causing an increase of the overall potential energy of every object, living being and chemical element existing on the surface of the planet (where the FRICTION or RESISTANCE took place). The resulting “FIELD” is a quantized one since the energy patterns in the aether are subject to the same physical laws at the universal level. The quantization property referred earlier is the why GRAVITY obey the inverse square law principle…just as the magnetic field does.

This quantum nature, dimensional architecture and potential energy increased density of space is the reason for what’s been study in acoustics under the concept of NOISE:

White Noise, Pink Noise and Brown Noise to mentioned the most relevant ones to this discussion. White Noise is observed in sound of nature, Pink Noise the true responsible Noise type that’s behind the Causality factor and source of SYNCHRONICITY and Brown Noise (Brownian Noise) observable in the molecule domain.

Pink Noise is characterized as UBIQUITOUS is nature. Our heart beats, the pattern followed by the grains of sand while is forming a pile, in every single electronic circuit of every single equipment or instrument even in atomic clocks. The mathematical formulation of the Pink Noise has been identified as the source of the “Laws of Mathematical Probabilities” by experts and there are hundreds of examples to support the notion that there is a bigger “thing” going on that hides at the center of this ‘ubiquitousness’ detected in physical systems and matter related phenomena.

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“The analysis is posted in Happy Birthday Pi!”