“Music = solution of Pi Paradox”

https://onedrive.live.com/redir?resid=1C16F12FDC0386B4!166&authkey=!AKKokNMdICDpSts&ithint=file%2cdocx

I finally found Alpha! the mysterious 137 [the Fine structure]

https://drive.google.com/file/d/0B_oul-l3ZlxbX3ZtNmxjc3l5UGs/view?usp=sharing

 

“CERTAIN THINGS ARE MEANT TO BE OCCULT FROM A MAN’S EYES”

You did it professor,…The rest of us haven’t!

I’ve spent hours searching for a single physical explanation…a simple and perfectly understandable reason that could shed some light about the musical “accident” occurring between MI^FA and SI^DO in the diatonic scale of MUSIC…and you know what? ZIP! ZERO! NOTHING! NADA! SEMMIT! RIEN!…

Of course it isn’t! All you find is tons of descriptive allegoric ways to say the same thing by including abstract definitions about compatibility between the sounds of certain octaves or relative overtones (harmonics) they have absolutely NO CLUE how they came to exist in the first place!

The greatest disappointment was to realize that this all happens because there’s no sound theory that could handle not just music but colors and atomic orbitals within a simple concept and a coherent theory behind it.

You’re looking at the solution up there and still no one visiting this page has shown a single sign interest in how the whole thing works… NO one soul! I see that Paul Dirac’s rude patronizing phrase: “Shut up and calculate!” did more damage that I personally thought… but It’s OK to me, if it’s OK to you to live your life sacrificing your common sense for the luxury of a quite and comfortable office, a university title and probably a PhD after your last name. No offense to anyone in particular…just saying.

There is a perfectly sound and physical explanation for the semitones and the Fifths so well DESCRIBED in Wikipedia regarding the diatonic scale and why am I so picky about it? Because our reality is imaging the same physical structure as the diatonic scale and nobody’s listening. 

If you’re still reading my words and didn’t get upset and left heading somewhere else, please take a close look at the drawings.

You’ll see that the harmonics SI^DO (036) have the same value. You’re looking at a fine structure (036) where same magnitude and same value of “half-quanta” (entangled energy quantum) spins around it. Energy is not cancelled! it simple has half tone from LA to DO. I understand you may have a little bit of confusion about it but it’s very simple to understand. Let’s start from the beginning and it’ll much easier for you.

*ONE VERY IMPORTANT ACLARATORY NOTE:

THE VERY FIRST SCALE ENERGY RUNS AROUND THE CIRCLE REPRESENTED IN MY MODEL OF REALITY (EULER-PI WHEEL) IS THE ONE MAKING THE FIRST (FUNDAMENTAL) 3 SPATIAL DIMENSIONS.

The so called Bohr atom, the perfect circular orbital representing the first 3 dimensions.

AFTER THE COMPLETE OCTAVE IS “PLAYED” AND THE NEW ORBITAL BEGINS WITH THE FIRST “PERFECT FIFTH”, REALITY WILL SHOW 8 NEW DIMENSIONS ALWAYS REPEATING THE ORIGINAL 3 AS REFERENCE. OTHERWISE, ELEMENTS IN NATURE WOULDN’T BE STABLE AND MOLECULES WOULDN’T KEEP THE ANGLES OF BONDING WE PERFECTLY KNOW THEY EXIST.

The note DO (root) is the two half-harmonics together (the pink and the red) spinning around the axis (036) [147-SI and 147-DO]

The semitone between DO and RE (DO sharp) is located at [DO-147 and 258-RE],  

The note RE is at [258-RE and 471-RE],

The note RE sharp is at [471-RE and 582-MI],

The note MI is at [582-MI and 714-MI],

The note FA is at [714-MI and 825-FA],

FIRST ACCIDENT!

Since the values 825 repeats on both sides of the harmonic separated by the Fine Structure (936) the frequency of the note during the “transition” [from  left upper side, progressing toward potential to the point of transition (936) or simple {9} toward increasing in Kinetic energy, upper right side] remains the same. No differences in acoustic parameters could be shown as a result. 

The note FA sharp is at [825-FA and 714-SOL] and this is where the concept of “PERFECT FIFTH” comes to life! It’s so simple, my God in heaven!

My entire THEORY is based on the solution offered by Euler number to the π Paradox. As a result of that new configuration, a new set of dimensions are built upon the 3 reference dimensions…I’m still talking about music, colors and electron orbitals since it’s the same model to explain the physical reality of our universe.

The new extra projection of the remaining STRING occupies the exact length equal to a diagonal length translated in angle (120°) from the reference axis (036). See it now?!!! … and the note SOL was right there waiting for it! Now you can imagine the rest all by yourselves.

The effect produced by the newly incorporated harmonic on top of the previous ones already there (the “PERFECT FIFTH”) is the one responsible for the existence of the note FA sharp! IT’S SO ” PERFECT” THAT IMPLIES THE ATOMIC PROCESS THAT ALLOWS FOR NEW ORBITALS AND HEAVIER ELEMENTS IN NATURE. 

I’ve been all over the NET begging for an explanation…a physical one not merely a descriptive statement telling me “the name of the bird” but everything about it, how it sings, how it flies and how it looks… NOTHING!!! of course nothing! The only THEORY capable of explaining this phenomenon occurring with colors, light, atomic orbital and music would have the privilege to call itself EVERYTHING.

Then, the rest continues as it’s shown next,

The note SOL [714-SOL and 582-SOL],

The note SOL sharp [582-SOL and 471-LA],

The note LA [471-LA and 258-LA],

The note LA sharp [258-LA and 147-SI],

The note SI [147-SI and 147-DO

SECOND ACCIDENT!

Same argument…I hope you don’t need me to take you from “point A to B and from point B to C…” [quoting Q from a Star TREK episode].

The scale will repeat itself only that the next time you’ll be encountering the next accident in FA by the bottom of the Wheel but it’s the same FIFTH we saw earlier only in its Kinetic progression toward (036) left below to complete the circle. Once the circle is complete you got an entire octave of a musical scale. 

The next orbital will be always begin with the next “Perfect Fifth” so you’re looking at an interception between the reference octave that began at 036 (left side) and ended at 036 (right side) but simultaneously you’ll find that the newly created orbital at SOL (as a result of the Fifth) will project its “own MI”, at 036 (right side) also thus allowing for the a LA sharp and a SI^Do right there too. In other words, the Fifth we saw first allowed for a FA sharp and the creation of a new octave (orbital) and this new octave will intercept its MI note (3rd harmonic of the octave) right “on top” of the reference SI^DO. 

The same cycle repeats the same way but the 3rd octave (2nd new orbital) also as the result of a second “Perfect Fifth” will fall right “on top” of RE (left side bottom). 

It becomes obvious to everyone that the process will create new orbitals at SOL and RE four times and that explains why there will be 4 new dimensions for half string and for the second half of the string (electron) the process will repeat once more in octaves.

Pay attention to what comes next.

This cycle of octaves will make for the orbital “K” the First we find in the Periodic Table of the Elements. The interesting part comes next. RE will also create its own reflection (octave projection) and that will find its “Perfect Fifth” right on top of FA. So, the configuration of the third orbital will be similar but not identical to the first that started from the reference 036. This  new octave will begin at 936 having its next “perfect Fifth” at LA (right top). you can see that the angle or deviation carried by each new axis of reference (intrinsic to each new harmonics) changes, depending where the first “Perfect Fifth” fell, and that will insured that no electron will have the same quantum number as the orbitals build up.

Did you guys know this as I has explained it to you here?

You know very well that the answer must be no! You may have known all it is to know about music and the physical properties involved in the making of sounds but just as in the case of “MARY the super-scientist” of Frank Jackson, but you have to admit that there are some knowledge about the nature of the universe (energy-space) you didn’t know and not because you didn’t have the capacity to learn all about it, but because there are knowledge that can’t be seen, perceived and/or observed no matter how smart your “apparatus” might have been.

I hope this time I called your attention… 🙂

 

 

 

 

 

 

 

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